Synopsis

Part III is the Harley recension of Part II’s penitential matter. The codex order forces the twins a hundred pages apart, and the printed edition rightly keeps them there. Here they stand together.

The columns are not aligned line for line, and must not be. These are two recensions, not two printings: measured against each other they share ten identical Latin lines out of 157 and 208 between §23 and §1, and none at all between §17 and §2 — because §17 is a schema of headings and brace catalogues and §2 is that schema written out as prayer. Identical Latin keeps identical English; divergences stand as divergences and are never conformed.

The Creed — thanksgiving turned into belief

Part II

Part II §23 In magnum pietatis sacramentum

printed 340–345
Part III

Part III §1 Confessio Fidei

printed 398–406

STRUCTURE.md: a second recension of §23 (and of §38's close), plural where §23 is singular. The note at printed 340 puts it exactly: the same six titles, in this order and in these mysteries, stand again at printed 402–403, turned from thanksgiving into belief — and there they carry not one reference.

The confession of sins — the schema and the prayer

Part II

Part II §17 Peccatorum Confessio

printed 324
Part III

Part III §2 Confessio Peccatorum

printed 407–416

STRUCTURE.md: a second recension of §17. ⚠ The two are not verbally parallel and no alignment could make them so — §17 is a SCHEMA of numbered heads and brace catalogues (Aggravatio · Peccati Species · Quoties? Quamdiu?), and Part III §2 is that schema written out as prayer (Peccavi, Domine, Tibi, Domine, Tibi). One page against ten.

The estate-catalogue — with the antitheses stripped out

Part II

Part II §24 Confessio Laudis

printed 346–348
Part III

Part III §4 Gratiarum Actio

printed 426–431

STRUCTURE.md: the thirteen-line Quod brace at printed 428 is §24's estate-catalogue stripped of its antitheses. The note at printed 346 adds that the schools' division — bona gratiae, naturae, fortunae — stands again at printed 429 as Pro bonis.

Where the volume names itself

47 places where a note on one page points at another in a different part — a phrase returning in a new dress, a verse cited under two different numbers, a catalogue standing again with its antitheses stripped out. Invisible in a codex, and the reason this edition is worth having on a screen.